Four White Towers around Shengjing
A directional network of Buddhist landmarks helps explain the early Qing capital at a scale larger than the palace.
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A directional network of Buddhist landmarks helps explain the early Qing capital at a scale larger than the palace.
Silk shops, a photographic studio and recreated lanes expose several different kinds of history on one commercial street.
Xita’s noodles make a useful beginning, but its households and cultural institutions keep the story from ending at the restaurant door.
A former foundry makes more sense when the machinery is read through the problems its workers had to solve.
The surviving camp and records held overseas connect industrial forced labour with individual routes across Asia.
Two objects outside the September 18 museum carry radically different histories of the same event.
The Zhang residence’s changing buildings show office, household and political ambition repeatedly rearranging the same ground.
Xu Yang’s long city painting connects the movement of boats and people with the different geography of collecting.
Objects in Liaoning’s museum stories reveal decisions about materials, movement and display across very different periods.
Hong Taiji’s mausoleum and Beiling Park occupy the same landscape, but they do not have the same boundaries or history.
At Nurhaci’s tomb, a wooded slope becomes part of the ceremonial architecture.
A doorway, heated platforms and a freestanding chimney bring the early Qing household into focus.