From the journal

A town speaking in many scripts: the manuscripts of Cave 17

The Library Cave held Buddhist texts, letters, contracts, schoolwork and records in many languages—a paper archive of a changing oasis town.

In the same city · Jiuquan ↗

More than a library of Buddhist texts

Cave 17 is often called the Library Cave, but its contents were much wider than a modern library collection. Alongside Buddhist manuscripts were paintings, textiles and documents from religious and secular life. Letters, contracts and government records offer glimpses of work, family relations and local administration. The archive is valuable partly because it gathered materials that were never written as a single official history.

Frontispiece of the Diamond Sutra dated 868, British Library Or.8210/P.2.
Frontispiece of the Diamond Sutra dated 868, British Library Or.8210/P.2.

Many languages in one oasis

Most surviving documents are in Chinese, and thousands are in Tibetan; other materials include Sanskrit, Khotanese, Uyghur and Sogdian. Some texts are multilingual. These scripts reflect the communities and political changes that shaped Dunhuang over time. Tibetan documents continued to be copied even after the Tibetan Empire withdrew from the region, showing how language and learning outlasted changes of rule. The archive preserves contact among Buddhist, administrative and commercial worlds.

A student's copy of a Confucian story

Among the manuscripts are exercises that bring a student’s desk into view. One 943 copy of a Confucian dialogue bears the inscription of Zhang Yanbao, a lay student at the Buddhist Pure Land Monastery. The text follows a conversation between Confucius and the boy Xiang Tuo, bringing a classical school story into a Buddhist monastery classroom. Such a manuscript shows how Dunhuang students learned beyond a single religious curriculum.

Paul Pelliot examining manuscripts in Cave 17 in 1908.
Paul Pelliot examining manuscripts in Cave 17 in 1908.

Stories meant to be performed

Some Cave 17 texts preserve bianwen, or transformation texts, a form of popular storytelling that could alternate spoken prose and sung verse. These works joined performance with writing and sometimes images. Their presence suggests that medieval Dunhuang’s cultural life included entertainment and public storytelling alongside formal religious practice. Their formats hint at how people read, recited, taught and shared stories.

A shared archive across collections

Many Cave 17 objects entered collections around the world in the early twentieth century. Catalogues and digital projects now let researchers compare items held in different places, reconnect related fragments and make descriptions searchable. The manuscripts turn the cave into a record of people who wrote, studied, governed, worshipped and travelled through Dunhuang.

Continue exploring · Mogao Caves ↗
Photo credits and rights
  1. Frontispiece of the Diamond Sutra dated 868, British Library Or.8210/P.2.British Library · CC0 1.0 Photo source ↗ Rights information ↗ Orientation normalised, proportionally resized and encoded as WebP; no crop or retouch.
  2. Paul Pelliot examining manuscripts in Cave 17 in 1908.Charles Nouette · Public Domain Mark 1.0 Photo source ↗ Rights information ↗ Orientation normalised, proportionally resized and encoded as WebP; no crop or retouch.