Xuela Paper: Plant Fibres, Family Work and a New Generation
Papermaker Gesang Denzin’s workshop in Nyemo turns prepared roots into sheets, while notebooks, lamps and cultivation trials extend the craft’s possibilities.
All articles
22 articles
Papermaker Gesang Denzin’s workshop in Nyemo turns prepared roots into sheets, while notebooks, lamps and cultivation trials extend the craft’s possibilities.
In Nyemo’s Thunda village, watermills reveal how a local river enters the preparation of incense ingredients.
Lhasa’s summer festival connects a large religious image at Drepung with the more intimate pleasures of opera and picnics in planted grounds.
Standing questions, seated replies and the sound of a handclap give Sera’s debate court a visible rhythm rooted in study.
Namtso lies between Damxung in Lhasa and Baingoin in Nagqu; its shores connect highland scenery with the everyday work of caring for a lake.
In Nyemo, carvers apply inherited cutting skills to printing, decorative objects and customised designs, while training another generation.
On Lhasa’s Red Mountain, the Potala joins ceremonial rooms, residences and religious spaces in a single stepped complex.
Murals, scroll paintings and palm-leaf manuscripts reveal another scale of the Potala, where architecture shelters fragile surfaces and recorded knowledge.
UNESCO places the Potala at 3,700 metres on Red Mountain, where the White and Red Palaces rise above Lhasa’s broad valley.
Masks are one part of a theatrical form that joins a narrator, enacted drama, singing, dance and an audience gathered around a shared space.
Kangsong Silnon’s theatre story unfolds in Norbulingka, a 36-hectare garden residence organized around three principal palaces.
Lhasa’s summer residence brings palace rooms, planted grounds, paths and performance spaces into a different rhythm from the Potala.