Courtyards, workshops and watersheds

Tibet.

Follow a line, a river, a circle

A carved printing block in Nyemo, a line of pigment on a thangka, a fiddle moving with dancers in Mangkang: small actions open large landscapes. Lhasa’s courtyards lead into the monastery and farming country of Shigatse and Shannan. Farther east, Nyingchi’s forest valleys and Chamdo’s salt terraces follow different rivers and working traditions. Northward, Nagqu’s lake shores and migration routes change the scale; westward, Ngari’s ruins, caves and wetlands ask for another pace of looking. Read across these seven regions, keeping each place, maker and tradition in view.

White and red building masses make the Potala’s organisation visible from the valley.

Potala Palace

At Lhasa, a palace rises above the valley as a record of changing belief, rule and everyday life.

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Start with a few landmarks

Begin with a material, a movement or a riverbank.

Norbulingka in a photograph dated 1999: planting frames the approach to a building.

Lhasa

Norbulingka

Lhasa’s summer residence brings palace rooms, planted grounds, paths and performance spaces into a different rhythm from the Potala.

Gongbo'gyamda beside the lake, photographed 11 April 2015. Photo: ping lin, CC BY-SA 3.0.

Nyingchi

Basum Tso

At Basum Tso, Tsozong Gongba Monastery on Tashi Island and the villages of Jeba and Cuogao turn a mountain lake into a lived cultural landscape.

Tsaparang citadel, photographed in 2016. Photo: Jean-Marie Hullot; CC BY-SA 4.0, Wikimedia Commons.

Ngari

Guge Ruins

Tsaparang gathers palace remains, caves and Buddhist monuments on a steep ridge above the Zhada landscape. Recent radiocarbon and textual research refines the dates of several structures, showing a capital built and adapted across distinct periods.

Follow the stories outward

Continue through all seven regions.

  1. Murals, scroll paintings and palm-leaf manuscripts reveal another scale of the Potala, where architecture shelters fragile surfaces and recorded knowledge.

  2. A 2015 report from Gyantse follows carpet makers through the work of sorting, spinning, dyeing, weaving and shearing wool into a household textile.

  3. The meeting of water and land at Yamdrok connects the lake’s irregular geography with practical questions of waste, water use and habitat protection.

  4. Near Midui Village in Bomi County, glacier ice, mountain forest and village life meet; dated photographs preserve seasonal views, while a 2022 report records local horse-team visits.

  5. A field study of Ranwu Lake’s water balance in 2015 traced seasonal contributions from rain and glacier melt. Photographs from May 2012 show an exposed lakebed and sediment work, preserving an earlier moment rather than describing today’s shoreline.

  6. A 2017 Landsat image shows Selin Co in natural color. NASA’s account of a long satellite study places that striking view beside a measured change in summer blooms and the lake’s role as a wetland stopover for migrating birds.

  7. A twelfth-century manuscript found near Tholing preserves a historical narrative centred on Tibetan kingship, distinct from Buddhist histories of its period.

Explore the seven regions

Choose a region to browse its published places and articles.

Lhasa

Around Jokhang, Barkhor brings devotional movement, trading streets and the thresholds of old courtyards into close proximity. The Nichi tradition links the shape of a bamboo nib with disciplined letter forms and a history of teaching centred on Nyemo.

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Shigatse

A 2015 report from Gyantse follows carpet makers through the work of sorting, spinning, dyeing, weaving and shearing wool into a household textile. In Lhatse knife-making, a forged steel blade meets a handle of horn or wood and a sheath worked in silver, copper and engraved motifs.

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Shannan

On the south bank of the Yarlung Tsangpo, Jêdêxoi’s woollen aprons connect coloured stripes with spinning, dyeing, weaving and family teaching. The painter Menla Dondrup’s connection with northern Lhodrak opens a story of training, travel and the changing role of landscape in Tibetan painting.

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Nyingchi

Near Azha village in Upper Chayu, a long glacier descends toward forest, giving the landscape its “green-sea glacier” image. At Basum Tso, Tsozong Gongba Monastery on Tashi Island and the villages of Jeba and Cuogao turn a mountain lake into a lived cultural landscape.

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Chamdo

An official Chamdo tourism profile locates three differently named lakes at Puyu Village and describes how they sit in relation to one another. Its account connects color names to shoreline and mineral observations, while leaving water chemistry and seasonal change for closer study. In Waichong Village, woodblock carver Zepei describes a craft learned from childhood and carried into a workshop with younger apprentices. The work joins careful material preparation to the exacting demands of Tibetan calligraphy.

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Nagqu

The Gesar epic travels through performance rather than a single fixed book. Its episodes, musical choices and regional versions keep the story in motion. At Selin Co National Nature Reserve, wildlife ranger Tsering Tagqing patrols on a motorcycle with binoculars, provisions and a notebook. His own short videos have also brought crane nesting and care into public view.

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Ngari

Tsaparang gathers palace remains, caves and Buddhist monuments on a steep ridge above the Zhada landscape. Recent radiocarbon and textual research refines the dates of several structures, showing a capital built and adapted across distinct periods. A twelfth-century manuscript found near Tholing preserves a historical narrative centred on Tibetan kingship, distinct from Buddhist histories of its period.

All articles
Photo credits and rights
  1. White and red building masses make the Potala’s organisation visible from the valley.Ondřej Žváček · CC BY 2.5 Photo source ↗ Rights information ↗
  2. Norbulingka in a photograph dated 1999: planting frames the approach to a building.LBM1948 · CC BY-SA 4.0 Photo source ↗ Rights information ↗
  3. Gongbo'gyamda beside the lake, photographed 11 April 2015. Photo: ping lin, CC BY-SA 3.0.ping lin · CC BY-SA 3.0 Photo source ↗ Rights information ↗
  4. Tsaparang citadel, photographed in 2016. Photo: Jean-Marie Hullot; CC BY-SA 4.0, Wikimedia Commons.Jean-Marie Hullot · CC BY-SA 4.0 Photo source ↗ Rights information ↗