Nyemo’s Three Crafts: Fragrance, Paper and Carved Wood
Across Nyemo, water-powered incense mills, Xuela papermaking and Pusong woodcarving connect different villages through skilled handwork.
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Across Nyemo, water-powered incense mills, Xuela papermaking and Pusong woodcarving connect different villages through skilled handwork.
Nangkhor, Barkhor and Lingkhor describe devotional routes at the scale of an inner shrine, a temple and the wider historic city.
Nangkhor, Barkhor and Lingkhor connect Jokhang’s inner devotional circuit to the wider streets and landmarks of Lhasa.
A Nyemo maker’s career connects childhood apprenticeship, a Lhasa workshop and new forms of incense made for changing everyday uses.
Ganden’s position in Dagzê brings its mountain hollow, layered buildings and exposed ridges into one architectural view.
At Drepung, assembly halls, colleges and debate courts form a settlement climbing the stony slopes west of Lhasa.
A thangka’s religious image may be painted, woven, embroidered or assembled, giving familiar compositions very different material lives.
The Nichi tradition links the shape of a bamboo nib with disciplined letter forms and a history of teaching centred on Nyemo.
A reported café in Gungsangzi courtyard shows how a former resident’s household objects can become part of an old building’s new public life.
Around Jokhang, Barkhor brings devotional movement, trading streets and the thresholds of old courtyards into close proximity.