Color That Lives on Clay: Painting and Conservation
Painted sculpture and murals hold layered materials; water, flaking and age make preservation a careful act of diagnosis.
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Tianshui
11 articles
Silk Road Connections in Maijishan’s Cave Art
Trace documented artistic links through Tianshui’s corridor location, cave styles influenced by major centres, painted narratives and a Persian-origin pipa.
Earthquake Damage and the Stabilization of Maijishan
A documented sequence from 1941 walkway collapse and 1952 repairs to the 1977–1984 cliff-stabilization works and later surveys.
Red Conglomerate, Water and the Cliff Path
Understand how Maijishan’s loosely bound rock, hidden seepage and cliffside galleries shape one another.
From Palace to Mountain: Empress Yifu at Maijishan
The Western Wei empress’s political exile, monastic life in Qinzhou and burial in the cliff caves form one of Maijishan’s documented human stories.
Across the Northern Dynasties: Maijishan’s Changing Art
Compare Northern Wei, Western Wei, Northern Zhou and Sui works through caves, figures, murals and the Seven Buddhas Pavilion.
Reading a Buddhist Cave Group, Figure by Figure
A guide to central figures, attendants, niches and expression in Maijishan’s clay sculpture.
How a Clay Figure Holds Its Shape
At Maijishan, sculpture can contain wood, reeds, loose fill and layered clay; conservation begins by learning how each figure was made.
A Mountain Built for Looking Up: Maijishan in Nine Views
A visual passage from the grain-stack peak to cliff galleries, cave entrances, painted clay faces and conservation.
Fuxi Temple: A Ming courtyard in Tianshui
On Fuxi Road in Qinzhou, a north–south sequence of halls and courtyards preserves the documented history of Tianshui’s Fuxi Temple and its continuing place in local tradition.
Maijishan: Clay figures on a wheat-stack cliff
Maijishan rises above Tianshui with a cliff of grottoes known for clay sculpture and figures built over stone cores. Its caves preserve work made across many centuries.