Jin Yong’s Worlds Begin on Paper
At Hong Kong’s Jin Yong Gallery, manuscripts and early editions bring the great martial arts stories back to the work of writing.
At Hong Kong’s Jin Yong Gallery, manuscripts and early editions bring the great martial arts stories back to the work of writing.
Books, letters and training objects at the Hong Kong Heritage Museum reveal the private work behind Bruce Lee’s public image.
Sha Tin’s Shing Mun River is a planned channel through a landscape once shaped by Tide Cove. Reclamation and new-town development transformed the river’s form and the valley around it.
At Hong Kong’s Jin Yong Gallery, manuscripts and early editions bring the great martial arts stories back to the work of writing.
At Hong Kong’s Jin Yong Gallery, manuscripts and early editions bring the great martial arts stories back to the work of writing.
Books, letters and training objects at the Hong Kong Heritage Museum reveal the private work behind Bruce Lee’s public image.
Sha Tin’s Shing Mun River is a planned channel through a landscape once shaped by Tide Cove. Reclamation and new-town development transformed the river’s form and the valley around it.
Wong Uk’s surviving Old House recalls Yuen Chau Kok’s former role as a route-side trading place. The village was reshaped by reclamation and Sha Tin New Town; one listed monument remains.
A Hakka quarryman’s rise and a fortified village’s changing role come together in Tsang Tai Uk’s imposing walls.
The old Che Kung Temple began as a shared place of worship for nine Sha Tin villages and later grew beside a much larger new temple.