At He-ri Temple in Zeku, the local stone-carving tradition includes Buddha images as well as scripture texts. A national heritage record distinguishes the two, then names line carving, relief and round sculpture among the craft’s forms. The distinction changes how the viewer meets an image: a line incised into a stone surface, a figure raised from it, or a form shaped to occupy space around itself.
The record describes the Buddha figures as full in form, with flowing lines. Volume and contour carry a figure through the stone: the fall of a robe, the breadth of a shoulder, the balance of a seated body.
